The Kilt Is My Delight

Scottish Country Dance Instruction

1- 8 1M+2L and 3M+4L cross diagonally RH, 1M+4L cross LH, 1L+2M and 3L+4M cross RH and 1L+4M cross LH
9-16 2s+4s and 1s+3s set and dance ½ RH across then middle couple (2s+3s) set and dance ½ LH across
17-24 1s lead up to the top then 4s facing 3s set and turn LH
25-32 All dance ½ reel of 4 on sides and all cross RH with partner (slow) 2341

(MINICRIB. Dance crib compiled by Charles Upton, Deeside Caledonian Society, and his successors)

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This full-length attire combined a pleated lower section with a length of fabric draped over the shoulder, serving both as clothing and a cloak. By the late 17th century, the 'small kilt' or 'feileadh beag' emerged, focusing solely on the pleated lower portion, resembling the modern kilt.​

In 1746, following the Jacobite uprisings, the British government enacted the Dress Act, prohibiting Highland dress, including kilts, in an effort to suppress Gaelic culture. This ban remained until 1782, after which the kilt experienced a resurgence, partly due to romanticised views of Highland traditions. The 19th century saw the kilt's integration into military uniforms, particularly within Highland regiments, further cementing its status as a symbol of Scottish identity.​

Today, kilts are crafted from woollen tartan fabric, with patterns often representing specific clans or regions. They are typically worn during formal occasions, cultural events, and by participants in Highland games, reflecting both historical significance and contemporary cultural pride.​

"General William Gordon Shown Wearing A Kilt" Pompeo Batoni (1708–1787), Oil, c. 1765

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