For clarity, each separate movement in the step is shown on a separate line, starting from the bottom of each diagram. Since the step in Diagram 4 is shown as it would naturally follow that in Diagram 3, Diagram 4 is placed above Diagram 3.
At the end of the last beat of each bar, one foot is behind the other (the left foot in Diagram 3). If the step is to continue, as in Diagram 4, the forward movement on the first beat has to be longer and quicker than on the first beat from stationary (Diagram 3) in order to reach the required Position at the end of that beat.
If the step is not to be repeated, close the rear foot to the normal Standing Position without hopping on the other; if Pas-de-basque or some other step should follow, move the rear foot directly to the first Position of the new step.
When dancing backwards, on beat 3 of each bar the heel of the closing foot must just touch the instep of the other foot (i.e., bringing the closing foot into third Position front).
With a few exceptions, such as in bars 2-3 of Dos-à-dos, in bar 1 of Allemande and Promenade round and when dancing backwards, the dancer Faces in the direction of Travel.
The length of the steps must also be adjusted to suit the Figure in which they are being performed though the well-devised dance will not require abnormally long or short steps. When two dancers are Travelling together on a sharp curve, as for example in Allemande, one dancer may have to take very large steps While the other almost Dances On the spot.